Showing posts with label Buddy Guy. Show all posts
Showing posts with label Buddy Guy. Show all posts

Thursday, July 21, 2016

Seven dirty words & Buddy (No. 6) Guy


I don’t know why I feel compelled to defend amplified profanity at the Pittsburgh Blues Festival in a forum that is the blog equivalent of the “Peanuts” comic strip.

It’s innocuous, family-friendly and never resorts to profanity.

The key difference being that “Peanuts” earns millions while this blog earns peanuts.

But you’ll have trouble finding any profanity in either venue.

The closest I get to going blue is when I remind people the only time bitch, bitch, bitch turns into something productive is when you’re running a thriving dog-grooming business.

What’s funny is while I rarely type a profanity, I spew it verbally near ‘round the clock.

I try not to say swear words around the kids, but don’t lose sleep whenever I do.

In fact, I often do it with the intention of being funny.

That was the case just last week when one of the Showcase Showdown “Price is Right!” prizes was an all-expense paid trip to Phuket, Thailand.

Now, you sophisticates understand the resort town is pronounced FOO-ket.

I told the girls to pay attention. I said I wouldn’t want them to ever be in the position of having host Drew Carey say, “Do you want to bid or pass?” and have them be misunderstood when they say FUK-it.

I bring all this up because a renown Pittsburgh blues promoter Ron Esser, owner of Moondog’s blues club, took it upon himself to scold blues great Buddy Guy for using swear words from the stage. It was a big local story.

Esser — and he is beloved in the ‘burgh — is a nationally-renown blues curator. I’ve been to his club numerous times and spent a great Fourth of July afternoon drinking with him when he was in a Latrobe bar where I friend of mine used to feature great Pittsburgh blues bands.

He knows the blues. In Pittsburgh, you could say he is the blues.

That’s why the idea of him scolding a blues legend like Buddy Guy has me saying, “What the, er, heck?”


You see the spot I’m in. I want to share the nitty-gritty of some great profanity, but am shackled by feelings of propriety.

I don’t want to run afoul of the FCC-based guidelines so memorably satirized by George Carlin in his “Seven Dirty Words” routine.

The only solution is to provide a sanitized numeric key for the remainder of this post.

Here it is:

No. 1, manure; 2, urine; 3, from the Dutch word for “to penetrate;” 4, rhymes with “punt;” 5, a three-syllable pejorative for any male or female who does something most men find very appealing (hint: its initials are “c.s.”); 6, a person who does this to the maternal woman who gave birth to you, but is not your father; 7, a word that’s fine when farmers use (and squeeze) in relation to barned livestock, but improper when used to describe the same functioning part of a woman.


So on Saturday, Buddy Guy said good-naturedly to a fan who was pestering him about playing a song, “Will you shut the No. 3 up for a minute?”

When the crowd reacted to his use of No. 3, Guy said, “I know some will say, ‘My kid’s never heard that word.’ If they ain’t, then they ain’t got a No. 3ing television.”

This is what No. 2ed Esser off. He said there was no place for that kind of No. 1 at a benefit concert.

What’s funny, and what Esser must know, is Buddy Guy’s nickname is No. 6.

It’s true. He’s Buddy No. 6 Guy.

How do I know?

I heard it from Mick No. 3ing Jagger.

On the “Shine a Light” Stones concert film from a few years back, Guy steals the show with a blistering version of Muddy Waters’s “Champagne and Reefer.”

They play the song and at the end, Mick urges Guy to take a bow and says, “Buddy Guy . . . Buddy No. 6 Guy.”

I first thought Mick was just being a disrespectful No. 5.

Then I heard Guy tell a story about once when he was waiting backstage to meet Mick. The security guy probably had no idea who this great man was and was probably more interested in impressing all the girls with the really nice No. 7s.

But he says something like, “Don’t talk to Sir Mick. Do not make eye contact. He’s preparing for the performance and doesn’t like distractions. Be respectful to Sir Mick.”

So Sir Mick walks by and first thing Buddy says, is “What’s up, No. 6?”

And Jagger hugs him and says, “No. 6! How the No. 3 are you!”

Unlike the No. 5ing security guard, it shows Sir Mick can take a No. 3ing joke.

Guy says the nickname, in fact, goes back decades to when he was the session guitarist at Chess Records in Chicago for Muddy, Howlin’ Wolf, Little Walter and all the greats.

He said: “Back then at Chess Records, everybody was a No. 6. They’d say, “Hey, No. 6, you’re playing too loud!’ I’d say, ‘I thought my name was Buddy.’ But after about six months of that, someone would say, ‘Hey, No. 6!’ and I’d look up just like everyone else. That’s how I became Buddy No. 6 Guy.”

And that’s the straight No. 1 on what happened on the Pittsburgh blues scene this weekend.

I relate all this so if anyone asks about it, you won’t feel like a stupid No. 4.

Nobody likes that.

I mean, WTNo.3?



Related . . .

















Monday, August 3, 2015

Seven Dirty Words & Buddy "No. 6" Guy


I don’t know why I feel compelled to defend amplified profanity at the Pittsburgh Blues Festival in a forum that is the blog equivalent of the “Peanuts” comic strip.

We're both innocuous, family-friendly and never resort to profanity.

So the key difference is that “Peanuts” earns millions while this blog earns peanuts.

The closest I get to "going blue" is when I remind people the only time bitch, bitch, bitch turns into something productive is when you’re running a thriving dog-grooming business.

What’s funny is while I rarely type a profanity, I spew them verbally near ‘round the clock.

I try not to say swear words around the kids, but don’t lose sleep whenever I do.

In fact, I often do it with the intention of being funny.

That was the case just last week when one of the Showcase Showdown “Price is Right!” prizes was an all-expense paid trip to Phuket, Thailand.

Now, you sophisticates understand the resort town is pronounced FOO-ket.

I told the girls to pay attention. I said I wouldn’t want them to ever be in the position of having host Drew Carey say, “Do you want to bid or pass?” and have them be misunderstood when they say FUK-it.

I bring all this up because renown Pittsburgh blues promoter Ron Esser, owner of Moondog’s blues club, took it upon himself to scold blues great Buddy Guy for using swear words from the stage. It was a big local story.

Esser — and he is beloved in the ‘burgh — is a nationally-renown blues curator. I’ve been to his club numerous times and spent a great Fourth of July afternoon drinking and talking blues with him when he'd come to visit my good buddy Bill at his bar, B.C. Kenly's, in Latrobe.

So Esser knows the blues. In Pittsburgh, you could say he is the blues.

That’s why the idea of him scolding blues legend Buddy Guy has me saying, “What the, er, heck?”

You see the spot I’m in. I want to share the nitty-gritty of some great profanity, but am shackled by feelings of propriety.

I don’t want to run afoul of the FCC-based guidelines so memorably lanced by George Carlin in his “Seven Dirty Words” routine.

The only solution is to provide a sanitized numeric key for the remainder of this post.

Here it is:

No. 1, manure; 2, urine; 3, from the Dutch word for “to penetrate;” 4, rhymes with “punt;” 5, a three-syllable pejorative for any male or female who does something most men find very appealing (hint: its initials are “c.s.”); 6, a person who does this to the maternal woman who gave birth to you, but is not your father; 7, a word that’s fine when farmers use (and squeeze) in relation to barned livestock, but improper when used to describe the same functioning part of a woman.

So on Saturday, Buddy Guy said good-naturedly to a fan who was pestering him about playing a song, “Will you shut the No. 3 up for a minute?”

When the crowd reacted to his use of No. 3, Guy said, “I know some will say, ‘My kid’s never heard that word.’ If they ain’t, then they ain’t got a No. 3ing television.”

This is what No. 2ed Esser off. He said there was no place for that kind of No. 1 at a benefit concert.

What’s funny, and what Esser must know, is Buddy Guy’s nickname is No. 6.

It’s true. He’s Buddy No. 6 Guy.

How do I know?

I heard it from Mick No. 3ing Jagger.

On the “Shine a Light” Stones concert film from a few years back, Guy steals the show with a blistering version of Muddy Waters’s “Champagne and Reefer.”

They play the song and at the end, Mick urges Guy to take a bow and says, “Buddy Guy . . . Buddy No. 6 Guy.”

I first thought Mick was just being a disrespectful No. 5.

Then I heard Guy tell a story about once when he was waiting backstage to meet Mick. The security guy probably had no idea who this great man was and was probably more interested in impressing all the girls with the really nice No. 7s.

But he says something like, “Don’t talk to Sir Mick. Do not make eye contact. He’s preparing for the performance and doesn’t like distractions. Be respectful to Sir Mick.”

So Sir Mick walks by and first thing Buddy says, is “What’s up, No. 6?”

And Jagger hugs him and says, “No. 6! How the No. 3 are you!”

Unlike the No. 5ing security guard, it shows Sir Mick can take a No. 3ing joke.

Guy says the nickname, in fact, goes back decades to when he was the session guitarist at Chess Records in Chicago for Muddy, Howlin’ Wolf, Little Walter and all the greats.

He said: “Back then at Chess Records, everybody was a No. 6. They’d say, “Hey, No. 6, you’re playing too loud!’ I’d say, ‘I thought my name was Buddy.’ But after about six months of that, someone would say, ‘Hey, No. 6!’ and I’d look up just like everyone else. That’s how I became Buddy No. 6 Guy.”

And that’s the straight No. 1 on what happened on the Pittsburgh blues scene this weekend.

I relate all this so if anyone asks about it, you won’t feel like a stupid No. 4.

Nobody likes that.

I mean, WTNo.3?



Related . . .








Wednesday, December 7, 2011

The blacks, the blues & me

Even for someone as maniacally self-absorbed as myself, I recognize the thought as a delusional doozy: I’ve been feeling a soulful kinship with the old blacks who sing the blues.


This is odd because I’m white and don’t have the blues. If anything I’ve got the greens.


And by greens I’m referring to recycling and other environmental concerns. I try and eat a lot of leafy vegetables so that shades me green, too.


I’m certainly not green because of an abundance of currency. Money-wise, I guess I’m a white guy with the reds, red being the color associated with bleeding deficits.


But lately I can’t help but feeling I have a lot in common with Big Bill Broonzy, Howlin’ Wolf, Muddy Waters and especially the great Buddy Guy.


And let’s pause for a moment to pay homage to the greatest name in the history of males. I have a lot of good buddies and know a lot of great guys, but wouldn’t it be cool to be friends with just one Buddy Guy?


He almost sounds like a beer-drinking superhero. “I was all alone and mopey the whole day then Buddy Guy showed up with a twelve pack to save the Happy Hour!”


His starring role on “Champagne & Reefer” with the Rolling Stones in the 2008 concert flick “Shine a Light” is as mesmerizing a performance as I’ve ever seen. His voice is such primal fury it practically blasts wispy Ron Wood off the stage.


He released a new collection of tried and true blues earlier this year. It’s called “Living Proof,” but it could as easily be called “Persevere,” -- maybe my favorite verb -- because the songs show he’s steadfast in his conviction nothing’s going to get him down.


I guess one of the reasons I’ve always been drawn to the blues is because the men and women who sing them never seem to have them. It’s as if singing about suffering somehow inoculates you against wallowing in it.


We do share that. I’m rarely unhappy.


Often baffled, yes, but not unhappy.


I’m baffled a fresh majority of Republicans think Newt Gingrich can be president, that people are falling for Alec Baldwin’s latest publicity stunt and that anyone’s the least bit happy there will be an NBA season.


But what’s becoming most baffling is how I sense my perseverance in the face of failure is making me iconic among my peers. I’m hearing it more and more from writers far more accomplished than I.


They say they admire me for having never gotten a real job and maintaining a lively blog that earns readers, but not money. Those are, incidentally, the exact reasons that make my darling wife wonder why she didn’t marry a plumber instead of me.


They say it’s cool how I never sold out (I don’t bother telling them you can’t sell what no one’s buying).


They hint my perseverance has given me, an arhythmic white guy, something the old blues men always had: street cred.


It’s a stunning turn of events for a guy who’s often mocked for picking up and recycling gutter trash, which gives me, I guess, stoop cred.


Somehow without trying I’ve become Paul Newman in “Cool Hand Luke,” a man imprisoned for stupidity who just won’t quit even as the camp bully thumps him to within an inch of his life. Stunned by Luke’s pain tolerance, his enormous opponent advises, “Stay down, man. You’re beat.”


“You’re gonna have to kill me to beat me,” he mumbles through bloody lips.


Spoiler alert: They do, indeed, kill him.


It’s one of my favorite scenes from one of my favorite movies so it’s neat to hear peers express admiration for me for showing the same sort of bone-headed determination that got Cool Hand killed.


And that brings us back to around to the blues greats. I believe they persevered through hardship and rejection to do what they loved. With them, succeeding was never as important as just doing.


That’s the way it is with me.


I’m not quitting until all the rejection, the heartache, the sleeplessness and editorial betrayal kills me dead.


Until that happens I’ll be right here in this swampy little corner of the internet, forever bloggin’ the blues.