Showing posts with label Quinn Fallon. Show all posts
Showing posts with label Quinn Fallon. Show all posts

Tuesday, November 27, 2018

Knitting quilts for homeless vets


I always feel like a failure when I resort to sarcasm in response to any question from the family innocents who should by now know everything about me and my recreations.

But that’s what happened this spring when I was departing for a weekend with some cheerful reprobates I’ve known for decades.

She wanted to know what we’d be doing the weekend, and she asked it in a business-like way that indicated to me she expected us to have an itinerary, goals, profit margins and ultimately some tangible results for my time.

So I blurted out: “Oh, we’re going to spend the weekend knitting quilts for homeless vets.”

Not my finest moment.

But how would it have sounded if I’d have said, “Well, we’re going to find a dark, divey bar with a really good jukebox, a friendly bartender and then we’re going to spend the next 10 hours drinking beer and laughing at stories we’ve all told or heard about 200 times. The result of all this wanton sloth is we’ll probably produce eight skull-pounding hangovers that lead to a spike in our communal need for hour-long naps in quiet places where we hope loved ones like you can’t find us and make us feel ashamed for acting like the boys we’ve always been.”

So now “Knitting quilts for homeless vets” has become code for spending multiple hours getting all tipsy in a local tavern.

I mention this because my friend Quinn is visiting tonight and we plan on knitting quilts for homeless vets.

And I’m not ruling that out. When you think about it, there’s really nothing to prevent us from learning to knit. 

Drinking beer hour after hour doesn’t occupy the hands all that much. I pick up the beer glass, take a sip and then set the glass back on the bar coaster. The whole process takes maybe four seconds. The rest of the time my hands are basically unemployed.

Just like the rest of me!

I can’t imagine knitting is all that difficult. I mean it’s something even grannies do and I can kick granny’s ass — unless maybe my reflexes are so slowed by decades of inebriation that granny disables me by jabbing a knitting needle in my eye.

 When you think about it, bar knitting is something that might really catch on.

Quinn, in fact, owns a great bar in Columbus. It’s Little Rock. Why Little Rock? ‘cause every great bar needs at least a Little Rock. 

Quinn is an old college roommate and one of my most relentlessly entertaining friends. Here’s a 1:33 YouTuber of him literally singing my praises and me reciprocating with a snippet of his song “Die Trying” from the Los Gravediggers album, “Get a New Ghost.”

He’s adept at corrupting names of popular businesses or programs so they sound vaguely dirty — Holiday Quinn! The Quinnocence Project! Quinntoxication!

His goal, of course, is to cajole women of loose morals to consider his worthiness. It works more than you might think, which to me hints that the women of Columbus are less virtuous than the women from, say, Latrobe.

And if my family ever declares they’ve had enough of my quilt-knitting ways, my plan is to head straight to Columbus and become Little Rock’s premier blogger.

Maybe this evening I’ll suggest initiating a bar knitting night to him.  Or maybe not.

We’ll have bigger things on our minds.

The Saturday NYTimes op-ed page featured an Arthur Brooks essay headlined: “Loneliness is Tearing America Apart.” His lead: “America is suffering from an epidemic of loneliness.”

He says half of all Americans admit to feelings of loneliness or being “left out.” It says the result of so much statistical loneliness is an America prone to depression, opioid dependency, and things like angry politics.

It makes me sad, especially when supportive camaraderie can be found in so many neighborhood churches, rec centers, gyms and other places where your neighbors go to defeat the scourge of loneliness. 

It’ll be happening tonight, for sure, at at least one small town bar near Latrobe.

The Quinn Lizzy!

I may say we’ll be out knitting quilts for homeless vets, but you know better. This is bigger than that.

We’re saving America.

One beer at a time.


Related …











Monday, September 12, 2016

A random post on Pitt-Penn State with nods to Dave, Bruce, Dylan, Quinn and the guy who robbed the bank to end his marriage

I try to avoid taking topic requests because the result always comes across as forced, stilted.

I’m making an exception today because fanatical reader Dave Angus is the one doing the requesting.

Give me 1,000 readers like Dave and I could rule the blogosphere. You may recall from earlier posts that Dave quits reading the blog cold turkey for six weeks every fall so he can then binge read nothing but “Eight Days To Amish” while he’s in his Illinois tree stand waiting for an opportunity to slay an innocent buck.

Knowing this I try and make my posts extra-compelling in the hopes they’ll distract the hunter from his antlered prey.

Still, such devotion must be rewarded so, for Dave, here goes:

“Yeah Pitt! Go Panthers! You kicked Penn State’s butt. Pitt rules!”

Could you tell my heart wasn’t really into that? Sure, I wanted Pitt to win, but not because I enjoy taunting Penn Staters. I love a good rivalry game and Joe Paterno apparently stole that from my fall revelries 16 years ago.

It was a great game Saturday and sports fans can only hope the rivalry resumes and prospers.

Dave wanted me to write a scathing, mean-spirited post jabbing proud Penn Staters for past controversies.

I’d no sooner do that than throw them all into the big basket full of all those deplorables.

Pitt? Penn State? I have no dog in that fight. I just enjoy a good fight.

Really, I look down on anyone who had the opportunity to attend even one year at Ohio University in Athens and went anywhere else.

• I was outside Consol last evening when Bruce Springsteen and the E Street band began tearing into “New York Serenade.” Among those inside were my buddy Quinn and his brother Paul. They’d bought $175 tickets, far too rich for me. I figured I could find a scalper, flush with indecent profit, who’d be willing to drop down to around $50. Wrong. They were holding out for $100. I passed and today I’m chagrined at having missed what was my dream set list.

• Still, think I made the right decision and got to spend the afternoon guzzling with Quinn and Paul. I’m not exaggerating when I say I’d rather see Quinn than Bruce. 

• Of course, I met Quinn at OU. Fun guys like him would never have dreamed of going to either Pitt or Penn State. 

• I wanted to get inside to see if there were more black people on the stage or in the crowd of 18,000. I bet it was the stage (seven). How come more black people don’t like Bruce?

• I hope my readership is diverse. I welcome Muslims, blacks, Hispanics, LBGT and both Mormons and morons. I have no idea if any of those demographics show up here. But I do know this much: You’re all gorgeous! Smart, too (except for the morons)!

• Know what else happened on 15 years ago Sunday? Bob Dylan released the outstanding “Love And Theft” CD. That’s not all. Delbert McClinton released “Nothing Personal,” and Alison Krauss & Union Station, “New Favorite.” I was waiting in the parking lot of the local Barnes & Noble to purchase all three when I heard the news, oh, boy. So it was a terrible day for America, but a great day for American music.

• I just did a cursory google check of “famous Ohio University alums.” The list includes (voice of Bart Simpson) Nancy Cartwright, Arsenio Hall, Paul Newman (did not graduate), and original “MacGyver” Richard Dean Anderson and a bunch of other non-celebs I’m sure my Pitt/PSU friends would belittle. I saw one name on the list that pisses me off. He’s sportscaster Thom Brennaman. I used to tend bar with him. He belonged to a rival fraternity of despised pretty boys. He wasn’t a bad guy, but I’ll never get over his Beta taint. I still can’t stand him.

• Just because I went to OU doesn’t mean I can’t still be petty.

• I’m toying with the idea of writing about John Ripple. He’s the 70-year-old Kansas man who robbed a bank because he said he’d rather go to prison than stay married. It’s fascinating. Would the jury convict him? How must his poor wife feel? Sure, it seems like a no-brainer for blog fodder, but my wife caught me cackling at the news and scowled. Doesn’t she know I’m already a prisoner? A prisoner of love!

• Tweet of the Week: I’m so convinced I'll one day die of random gunfire I'm thinking of getting a bullseye tattooed on my chest just to give the folks in the morgue a good story to tell.

• Here’s a 1:37 YouTube of Quinn telling about the lines of mine he’s turned into songs. Includes blatant Natty Light product placement.

• Hey, Dave, a herd of albino trophy buck just sauntered past while you were reading this post!



Related …











Friday, July 17, 2015

My new office!


The critical criteria for selecting a new office space were two: Would it allow opportunities for fun? And would it be a good place to fend off the marauding zombie hordes?

Because you just never know.

So my office search loosely paralleled the plot from the uproarious 2004 zombie Brit flick, “Shaun of the Dead.”

See, I’m not at all like the fancy writers, and by fancy writers I mean ones who earn their livings getting paid to write.

No, all I need is a quiet place I can make loud.

I don’t want interruptions or chat mates. I just need a small, still room for me, my laptop and my Bose wave radio. Then I just sit down, plug in and crank up (right now it’s alt-country/blues/rocker/folkie/geriatric hellraiser Ray Wylie Hubbard).

Loud music for me seems to vacuum away all the mind clutter that gets in the way of necessary thoughtfulness. I don’t know why that is so and I just hope my daughters don’t inherit the trait or else I’ll soon know the lyrics to all the songs by the band One Direction.

Because of past happy experience, I confined my search to places that served hootch.

Who knows? Maybe I’d write better if my office were above (or below) a place of worship.

But I know if someone religious-minded wandered by and heard me playing Ray Wylie Hubbard’s blasphemous “Conversation with the Devil” it might lead to a long, philosophical discourse that would sidetrack me from writing about important blog topics like how sad I feel when my socks don’t match.

And who the hell needs that?

So after about two days of exhaustive research, one of which I did while hungover, I found two places that fill those needs.

The first is Little Rock, maybe the world’s greatest bar. It has great live music, eccentric clientele, chummy bartenders and is owned by my old college roommate Quinn Fallon, who’s endeared himself to me by never once having charged me for a single libation.

But Little Rock — so named because Quinn believes every bar needs a “little rock” — had two logistical drawbacks.

One, it has no second floor. I didn’t ask, but I’m sure Quinn would have let me put a card table and a lawn chair up on the roof. I might have become a local tourist attraction.

But without walls, I might one day blunder right off the roof and OSHA would have its first case of a writer being hurt while in the act of writing.

Second, Little Rock is in Columbus, Ohio.

If I could pull it off, I’d gladly make the 3 1/2-hour drive to Columbus, spend an hour blogging, an hour drinking with Quinn and then heading home — really, being gone 9 hours a day is a typical existence.

But I’d miss daily watching “The Price is Right” and let’s be honest: I haven’t been able to confine my convivial drinking to one-hour-a-day since the 4th grade.

That left one obvious choice.

Hello Tin Lizzy!

My commute has been cut in half. I’m now just 1.2 miles from home.

My wife said I could walk.

“Hell,” I said, “I’m gonna zip line!”

Won’t that be cool? The historic Tin Lizzy is Youngstown’s landmark building.

Youngstown, remember, is the one-stoplight town just outside of Latrobe. Before moving up the mountain, Val and I lived just 1/4 mile from the Tin Lizzy from 1992 through 2007. It’s a great town and, in fact, is the birthplace and home of Arnold Palmer and summer residence of Fred Rogers.

Locals know Latrobe Country Club isn’t in Latrobe. Neither is Palmer. They’re both in Youngstown.

For seven wonderful years, my office was above a really great bar.

Now, it’s above three of them.

The basement is the Rathskeller (live music); the ground floor, a perfectly cool townie bar; the second floor is Flappers, a 1920s-themed martini bar. 

I’m now the entire third floor.

To enter I need to pass through four locked doors. It's like Maxwell Smart from the iconic “Get Smart” opening sequence.

It’s 79 steps to the third floor and I have it all to myself.

There are 11 rooms, but not 11 doors. It’s perfectly maze-like. I can get my daily exercise without ever having to leave the building.

There’s no shower, but the restroom gives the discerning urinator the choice of either bowl or wall-mounted receptacle.

I’m weighing an even/odd calendar routine.

Most of the rooms are like being in a bar’s attic. There’s old chairs, tables, paint leftovers, work space. One room has all the Christmas decorations so I can commune with Claus anytime I need a jolt of holiday spirit.

The actual office is one slim room overlooking Main Street. It’s a great view. 

The floors are badly warped so writing while seated on my wheeled chair is like writing on the pitching deck of a ship.

I was very pleased when my friend, Buck, offered me the space. He’s been running the building for, I think, 35 years. He’s gone way out of his way to make me feel welcome, as have his staff.

I got an unexpected call at 7:30 this morning. It was Sandy offering me coffee.

How sweet.

I screamed at her to not bother me again until she’d prepared a three egg-white, all-organic Western omelette with Bavarian goat cheese.

She hasn’t called back. She’s either insulted or is having a difficult time securing a Bavarian goat.

The most awkward aspect of moving has been answering so many questions about where I’m going to get drunk.

While I (mostly) exaggerate my drinking for blog purposes, people are concerned I’ll abandon The Pond.

It’s a tough call. I don’t want to hurt anyone’s feelings. All my buddies are at The Pond and I have loyalties there, but The Pond did evict me and I should convey some loyalty to the people who are welcoming me in.

I endure long stretches where my writing is roundly ignored, but I’m never lacking for interest in people who want me as a drinking buddy.

I feel like a highly touted college QB being fought over by competing NFL teams.

Not a draft pick.

A draft beer pick!

I guess there’s only one thing to do that won’t hurt anyone’s feelings among all the people who’ve been so nice to me.

Columbus, here I come!

It reeks of pretentiousness, but the reaction is convincing me what every bar really needs is a little Rodell.



Related . . .


















Thursday, December 4, 2014

RIP Bobby Keys: Is this his last song?

The thing you have to love about Bobby Keys is that in rock’s most excessive era he was exiled for being too irresponsible.

By Mick Jagger!

It’d be like Fred Rogers and the Dali Lama having a gentle dispute over who is more deferential.

This wasn’t parting ways with Brian Jones over creative differences. This was Jagger saying, “‘The bloke’s jus’ too much! When ‘e’s inna next room, ‘e’s so loud I can’t even enjoy me orgy!”

The ’73 split was over a champagne-filled bathtub. In the tub with Keys one day in Belgium was a naked French model and the pair had commenced to guzzling. The situation was apparently too compelling for Keys to depart for that day’s required sound check.

I love the Stones, but I see a lot of logic in Keys’s decision. 

Banished, he made only sporadic contributions to subsequent Stones recordings. You could argue the band never again returned to the heights it had hit with “Sticky Fingers” and “Exile on Main Street,” classics where Keys' contributions are indelible.

Back then the Stones understood that when rock ’n’ roll swaggers into the saloon, it’s the sax man who kicks down the door.

Don’t believe me?

Think of some of their best songs: It’s Keys who delivers the signature sounds on “Brown Sugar,” “Live with Me,” “Can’t You Hear Me Knocking,” “I Got the Blues,” and so many songs that make “Exile” so essential. Songs like “Casino Boogie,” “Rip This Joint,” “Sweet Virginia,” “Let It Loose” and “Ventilator Blues.” 

My very favorite might be “Bitch,” a song that plays like Mick and Keith wrote specifically with him and his sax in mind.

He was born December 18, 1943, the same day as Keith Richards (and the day before my Mom’s birthday 11 years previous!).

He met the Stones in ’64 when he was playing with Bobby Vee at a San Antonio festival. It’s all there in Bill Wyman’s 1990 book, “Stone Alone.” The part about meeting Keys also includes an anecdote about The Stones sunbathing at the hotel pool when alarmed guests called police with reports that five young girls were there topless at the same time.

How scandalous.

It turned out it was just The Stones. Their long hair had confused the prudish guests.

Born in Lubbock, the cradle of some of the greatest and influential American music, Keys played with Buddy Holly and Roy Orbison before most kids earn their driver’s licenses.

He’s said he played the baritone sax for Elvis on “Return to Sender,” but that is in dispute. Others claim it is their work.

I believe Keys. Why would he lie? To make himself more famous?

For heaven’s sake, the only saxophone player on earth who’s ever rivaled him in fame is Lisa Simpson.

D’oh!

He played with The Who, all the Beatles and, in fact, played the last session ever between Lennon and McCartney, a 1974 bit called “A Toot and a Snore,” which I’ve never heard of and may or may not get around to researching.

He played with Jerry Lee Lewis, Fats Domino, Barbara Streisand, Joe Ely, Carly Simon, B.B. King, Chuck Berry and the great Quinn Fallon.

Who?

Quinn Fallon. Yes, I’ve written about him before, many times, but I refer to him again in this instance because it may be historically significant.

Quinn’s a great roots rocker who was so enamored of Keys and his legacy he wrote a song based on Keys’ 2012 book, “Every Night’s a Saturday Night.”

He told Keys about it when they met when Keys was performing in Columbus, where Quinn runs a bar named Little Rock.

Why Little Rock? Because every bar needs a little rock.

Keys was so flattered he agreed to play on the song on Quinn’s recently released Los Gravediggers album, “Get a New Ghost.”

So Keys’s last recorded song may be “Every Night’s a Saturday Night,” a song based on the title of the book about his own life.

I hope someone plays it for Keith. He’d think that’s perfectly cool. He’d be correct.

But I’m sorry Bobby’s dead. 

He was 70 and I would love to have heard another 10 or so years from him as the legend expanded even further.

Really, it’s worse than a pity.

It’s a bitch.


Related . . .







Tuesday, October 7, 2014

Shuffling off the shuffle: a "new" way to appreciate music


Reason and experience have made me among the planet’s most humble beings. I never feel compelled to boast I’m outstanding athlete, possess a keen intellect or have the lovemaking abilities of the mythical Zeus.

To do so would be crass and, besides, I’m confident that one day soon my wife will post a catch-all tribute to me on Facebook and I wouldn’t want to spoil her surprise.

Any day now.

But there is one realm in which I do feel superior.

I am among the world’s most tasteful music aficionados.

I have an appreciation for country, folk, jazz, classical, and every genre except hip hop and that’s okay because hip hop doesn’t count and I can say so because I am among the world’s most tasteful music aficionados.

Given all that, I, of course, have great knowledge about the most important genre in recorded history. That being classic rock ’n’ roll.

Some will argue the music of Beethoven, Mozart and their contemporaries is the most important. They are mistaken. Sure, it was good and enduring music, but it didn’t inspire the revolutionary passion of great rock.

And no one ever held up a Bic lighter and toked on a fat Doobie and yelled “Wooo!” when a baton-wielding guy in a powdered wig kicked off  “Symphony 7, Allegretto, Movement No. 2.”

That’s why today I’m taking the time to inform you I’ve starting a movement of my own, one that has nothing to do with stringed instruments.

I want everyone to start listening to albums.

This is more radical than it sounds. I’m not talking about vinyl or suggesting a costly format switch.

I’m talking about listening to albums in the order they were released.

See, I’ve noticed in the past few years my iPod has surreptitiously turned me into something I’ve always mocked. I’ve become a greatest hits listener.

Listening to the greatest hits of any artist is the most superficial way to enjoy every artist. You miss context, depth and and the magnificence of what used to be something special back when people cared more about the music than the devices that play the music.

It used to be a real event when one of the great bands released an album, particularly what used to be called a double album. People would wait outside the old record stores while FM radio stations would play the entire album in order over and over again.

What happened?

We became a nation of cherry-picking playlist listeners.

We don’t listen to albums. We listen to the songs we like from the albums we like if we bother to buy the album at all.

To my everlasting shame, that’s what I’d become.

I noticed this when I was trying to brainwash my little girls into becoming as musically tasteful as their dear old man.

I’d want them to appreciate Bruce Springsteen so I’d play them “Thunder Road,” but not “She’s The One.”

With the Stones, I’d play “You Can’t Always Get What You Want,” but not “You Got The Silver.”

The worst was playing them the Beatles. How can you play “Lucy in the Sky with Diamonds” and not play “She’s Leaving Home?” In fact, to sever any part of “Sgt. Pepper” or “Abbey Road” from the glorious whole would be like removing a limb from the Venus de Milo.

Well, one of the remaining limbs.

Then I began to realize how little I’m listening to albums in order. 

This became apparent thanks to two artists who’ve released great sequential albums in the past months. They are Quinn Fallon and Tom Petty.

Quinn’s my buddy, the Columbus bar owner, about whom I’ve written so much it’s beginning to annoy mutual friends of ours about whom I never write a word (hello, Kyle Alexander!). But Quinn’s always newsworthy. His band, Los Gravediggers, is releasing a great new album called “Get A New Ghost.” He’s written several songs inspired by things I’ve said (see YouTube link below) and Stones saxophonist Bobby Keys has recorded with him.

How could I not write about a guy like that? In fact, I’d probably draw a more substantial readership if I changed my blog’s name to, “Eight Days To Quinn Fallon.”

And if you haven’t heard of Petty, just google “America’s greatest rocker.”

Both have said how much consideration they’ve always put into album sequence and how they should play the way a novel reads.

I realized with my shuffle, random and scattered playlists how much my listening habits had changed. When it came to music, I’d been guilty of disorderly conduct.

So I decided to begin listening to albums in order all over again.

Truly, listening to any of the great Beatles or Stones albums piecemeal is a sort of blasphemy. Same goes for Springsteen albums like “Born to Run” and “The Wild, The Innocent & The E Street Shuffle.”

Even better is it’s like being on a musical treasure hunt. My iTunes library said it’d been five years since I’d played “Caribou,” the mediocre ’74 Elton John set that includes two huge hits (“Bitch is Back” and “Don’t Let the Sun Go Down on Me”), and about four or five stinkers. Ironically, one of the unheralded good songs is called “Stinker.”

But there’s a dark gem on there called, “Ticking.” It’s a very disturbing, but a beautifully produced and moving song about spree violence from back when spree violence was still newsworthy.

It’s been a revelation to reconnect with albums like Van Morrison’s “Moondance,” Stevie Nicks’s “Bella Donna, Joe Ely’s “Letter to Laredo” or “Muswell Hillbillies” by the Kinks.

My musical conduct is no longer disorderly.

Plus, it freed my mind to think of more important things rather than what the next song’s going to be, if it’s going to be good or bad or if it’s one I’ve already heard about 500 times.

Meaningful things like what it’ll be like the day my wife writes on Facebook how great it is to be married to a swell guy like me.



Related . . . 

What Chris Rodell & Quinn Fallon have to say about each other (1:23 video)